ARTE e MITO

O CONHECIMENTO NOS CHEGA ATRAVÉS DE ASSOCIAÇÕES. ISSO NA QUALIDADE DE CIÊNCIA. A OUTRA FORMA É ATRAVÉS DA EDUCAÇÃO, UMA TRANSMISSÃO DE PESSOA PARA PESSOA. Como estou fazendo aqui e agora! Uma visão atualizada e vanguardista da história da arte e do pensamento humano. As origens da ciência e dos rituais que preservaram o conhecimento na nossa espécie.
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9mo
GODD is MOTHER NATURE
Notem O Leão, A Serpente e animais de chifre ligados a Deusa. A cauda do Leão está alinhada com a Serpente (imitando a forma) Os 3 aspectos da Deusa-Tríplice, que formam a Quimera e a Górgona.
Bisonte de Altamira, España.
"Essa não era uma arte decorativa".... Essas figuras eram pintadas muitas vezes, em lugares quase inacessíveis e escuros...TEMPLOS SECRETOS. Era uma arte ligada à "magia" da caça. Semelhante à arte dos bosquímanos do sul da ÁFRICA ou à dos Aborígenes Australianos.
Lions painted in the Chauvet Cave in Ardèche, France
THE PANEL OF THE LIONS - There are seven bison, pursued by a pride of sixteen lions, mainly depicted by their heads alone. Decorated Cave of Pont d’Arc, known as Grotte Chauvet-Pont d’Arc, Ardèche, France
Lioness-headed Goddess Wadjet
Her primary form was depicted as a snake goddess with a large Uraeus, a rearing cobra serpent, on her crown. The Uraeus is always shown on crown of the pharaohs. She also became identified with Bast (Bastet) the war-like Cat goddess and as Wadjet-Bast she was often depicted with the head of a lioness combining the attributes of a lion and a cobra and revered for her powers of protection and her skills as a fierce combatant.
Menhit, the the lion headed goddess of war, The Slaughterer, wife of Khnum by Brian McMorrow
egyptian goddess menhit | Menhit, the the lion headed goddess of war, The Slaughterer, wife of ...
Goddess Sekhmet, Egyptian Goddess Of War
She is depicted as a lioness, the fiercest hunter known to the Egyptians. It was said that her breath formed the desert.
Lion-woman, plasticine model (from a lion-headed figurine)
A lion-headed figurine found in the cave of Hohlenstein-Stadel in the Valley of Lone, Baden-Wurttemberg, Germany, Upper Paleolithic, c.40,000 BCE. The prehistorian Elizabeth Schmid assumed that the figure once had breasts and notes that the transition from the thighs to the buttocks indicate a woman's body.