A large Murano chandelier, for Baglioni Spa Hotel Budapest,
This chandelier was designed in 2006 for the Baglioni Spa Hotel in Budapest. Building works for this famous 5-star hotel commenced in October 2006 and were completed 5 years later, in September 2011. The hotel and the banquet hall was attached to the ‚Racz Baths‘, which date back to the 16th century and are a UNESCO World Heritage Site. Provenance: Originally part of the interior of the Baglioni Spa Hotel in Budapest.
An 'Aladdin' coffee table, Stuart Haygarth *,
Great Britain 2006, black lacquered MDF lightbox, the latter with several clear glass objects placed on a mirror surface, under glass, dimensions: height c. 49 cm, width c. 95 cm, depth c. 95 cm. Fitted for electricity, without guarantee for electrical fitting. Slight signs of age and use. (MHA) Provenance: Galleria Nilufar, Milan; Klaus Engelhorn Collection, Vienna; Sanziany Collection & Palais Rasumofsky
A unique console / console table 'Disallineata', designed and manufactured by Studio Superego,
Milan / Italy, 2017, construction reduced to basic geometric shapes, made of transparent and polychrome tinted acrylic glass elements, arranged in blocks and stacked. Height c. 90 cm, width c. 150 cm, depth c. 40 cm. Slight signs of age and use. (MHA) Unique piece from the “Disallineata” series, which - like “Tormalina” series - is characterised by its block-like shapes.
A rare, large mod. 'Petalas', designed by Jorge Zalszupin
in around 1959, for L‘Atelier Moveis, Brazil, sculptural construction consisting of eight individual table elements made of jacaranda wood, held together by a black lacquered metal frame. The underside with manufacturer’s adhesive label. Height c. 32 cm, width c. 130 cm, depth c. 120 cm. Slight signs of age and use, scratches and abrasions, minor isolated chipping. (MHA) The present item is subject to conservation legislation (ASB).
A rare, large, double-sided writing desk, designed by Lajos (Ludwig) Kozma,
Hungary in around 1930, classic, pared-down wood frame construction, walnut and rosewood veneer, brass drawers, each side with 9 lockable drawers, with key, usable on either side and free standing. Dimensions: height c. 70 cm, width c. 180 cm, depth c. 78 cm. (MHA) The writing desk was displayed at various, historical furniture exhibitions in Hungary. The present item is subject to conservation legislation (ASB).
A 'Woosh' sofa, designed by Zaha Hadid
in 1985 / 1986, for Edra / Italy, moulded plywood, dark lacquered, foam upholstery, polyester cover, grey and black microfibre cover, chromium plated steel, height c. 100 cm, width c. 210 cm, length c. 410 cm, seat height c. 50 cm. Slight signs of age and use. (MHA) Cf. Lit.: Zaha Hadid, Guggenheim Museum, New York 2006, p. 154, ill. 1 (drawing), fig. 2 (“Woosh” sofa in the Bitar Apartment, London). Provenance: Private ownership, Switzerland; Sanziany Collection & Palais Rasumofsky
A rare floor lamp mod. 1035, designed by Gino Sarfatti in around 1948,
for Arteluce, Milan, Italy, sculptural construction with round marblefrom, brass shaft, adjustable, cone-shaped metal diffusers lacquered in various colours, height c. 215 cm, width c. 95 cm, depth c. 95 cm. Signs of age and use (MHA) A rare early design by Gino Sarfatti.
Color Room, designed by Stefan Sagmeister & Jessica Walsh,
New York 2018, in cooperation with Backhausen, Austria, for the “Beauty” exhibition at the MAK in Vienna, room installation (DRAX) Exhibited: Museum für Angewandte Kunst (MAK), Vienna 2018/19 - Museum Angewandte Kunst, Frankfurt/Main 2019 - Museum für Kunst und Gewerbe, Hamburg 2019/20 - Fondation Martell, Cognac, France 2021 - Vorarlberg Museum, Bregenz/Austria, 2022 Lit.: Sagmeister & Walsh: Beauty. Schönheit als Schlüsselkonzept für die Gestaltung der Zukunft, Mainz 2018
A set of ten '100% Make-up' vases, designed by Alessandro Mendini
in 1992, for Alessi Tendentse, „100% Make-up“, 10 porcelain vases from the „100% Make-up“ series. Form design by Alessandro Mendini, decorated by 100 different contemporary artists in total. The decoration of the present 10 vases is by Mara Voge, Acharya Vyakul, Gisbert Weiss, Hannes Wettstein, Y. A./Y. A. and Leonid Yentus, among others.The base with maker’s mark and numbering. Dimensions of each vase: height c. 38.5 cm. In original boxes. Slight signs of age and use. (MHA)
A writing desk / secretary desk with armchair, designed by Giuseppe Rivadossi
in around 1980, for Officina Rivadossi, Italy, handmade solid wood writing desk with armchair. The front of the desk includes several drawers and a slanted top, the interior is fitted with drawers and compartments. Dimensions of the desk: height c. 107 cm, width c. 120 cm, depth c. 50 cm; dimensions of the armchair: height c. 80 cm, width c. 46 cm, depth c. 58 cm, height of seat c. 46 cm. Slight signs of age and use. (MHA) High quality finish.
A prototype 'Parova' table, designed by Oskar Zieta,
2021, executed by Zieta Prozessdesign, Poland, stainless steel, formed in FIDU technique, brushed and lacquered; black oiled oak table top, height c. 75 cm, c. 250 x 120 cm. (DRAX) Prototype of a limited edition of 7 examples. Exhibited: Generations. The Story of Oskar Zieta. Processes, Materials and Generations, Museum BWA, Zielona Gora, Poland, 2022 Provenance: From the property of the artist Sturdy dialogue of opposites
A prototype 'Mercury Dark Matter' wall object, designed by Oskar Zieta,
2021, manufactured by Zieta Prozessdesign, Poland, stainless steel, molded in FIDU technique, polished, diameter c. 150 cm. (DRAX) This wall installation is part of the “Transitions” project and the prototype of an unlimited, numbered edition. With certificate. Exhibited: 60th Salone del Mobile, Milan 2022 Provenance: From the property of the artist Microscopic repeatability
Three ceiling lamps, designed by Jean Boris Lacroix,
France 1947, square ceiling fixture, black lacquered metal frame, overlapping shades made of white and yellow acrylic, brass, old fixtures, height c. 130 cm, c. 14 x 12 cm. Without guarantee for electrical fitting. (DRAX) Lacroix’s design of a lamp made of plexiglass tarpaulins was created at the same time as the radically modern ‘New Look’ of Christian Dior’s fashion, and anticipated the aesthetics of 1960s design. Cf. Lit.: Ch. & P. Fiell,1000 Lights, vol. 1, Cologne 2005, p. 391.
A 'Bleischwer' bench, designed by Xaver Sedelmeier,
Germany 2022, solid oak, upholstered resting surface covered in lead, signed and dated: xaver 2022, height c. 22 cm, c. 140 x 40 cm. (DRAX) A unique item. With certificate. Xaver Sedelmeier uses fenders and protective materials in a new context, refining them through repurposing. This turns furniture into fetish-like ritual objects shrouded in an aura of untouchability, which prevents us from using them according to their original purpose.
A Murano chandelier, for Baglioni Spa Hotel Budapest,
2006, modular construction made of cylindrical cullet elements. (MHA) This chandelier was designed in 2006 for the Baglioni Spa Hotel in Budapest. Building works for this famous 5-star hotel commenced in October 2006 and were completed 5 years later, in September 2011. The hotel and the banquet hall was attached to the ‚Racz Baths‘, which date back to the 16th century and are a UNESCO World Heritage Site.
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