Mono ha

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The show moreover focuses on what surrounds the movement of Mono-ha and the contextual history supporting it. In this perspective, artworks from the 70s as well as more contemporary pieces are featured, in an effort to demonstrate the historical and artistic evolution which took place after the 70s, but also the diverging paths which were independently undertaken by the four artists Diverging Paths, Mono Ha, Simon Lee, Takayama, Wallpaper Magazine, Lithography, Japanese Artists, The Memories, Postmodernism

The show moreover focuses on what surrounds the movement of Mono-ha and the contextual history supporting it. In this perspective, artworks from the 70s as well as more contemporary pieces are featured, in an effort to demonstrate the historical and artistic evolution which took place after the 70s, but also the diverging paths which were independently undertaken by the four artists

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Painter, sculptor, writer and philosopher Lee Ufan (born 1936) first came to prominence in the late 1960s as one of the major proponents of the Japanese avant-garde group Mono-ha. Japan's first contemporary art movement to gain international recognition, the Mono-ha school of thought rejected Western notions of representation, choosing to focus on the relationships of materials and perceptions rather than on expression or intervention. A new edition of a collection of writings first published in Lee Ufan, Mono Ha, Hans Ulrich Obrist, Lisson Gallery, Hirshhorn Museum, Brutalist Buildings, Hall Of Mirrors, Guggenheim Museum, Late 1960s

Painter, sculptor, writer and philosopher Lee Ufan (born 1936) first came to prominence in the late 1960s as one of the major proponents of the Japanese avant-garde group Mono-ha. Japan's first contemporary art movement to gain international recognition, the Mono-ha school of thought rejected Western notions of representation, choosing to focus on the relationships of materials and perceptions rather than on expression or intervention. A new edition of a collection of writings first…

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