jewelry

23 Pins
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Oval gem with Augustus as Neptune, mounting a sea-chariot
Oval gem with Augustus as Neptune, mounting a sea-chariot, Roman, Early Imperial Period, late 1st century B.C.
Pair of earrings
Peter Chang Pair of earrings, British, 1991. Acrylic, carved and inlaid. Museum of Fine Arts, Boston.
Daphne's Metamorphosis Pendant
Carolyn Morris Back "Daphne's Metamorphosis Pendant" American, 1991. Museum of Fine Arts, Boston.
Bracelet 2002 after Klimt
Bracelet 2002 after Klimt by Flora Book, American, Museum of Fine Arts, Boston.
Marjorie Merriweather Post brooch
Possibly by Oscar Heyman & Bros. "Marjorie Merriweather Post brooch." Museum of Fine Arts, Boston.
GSG: types=Jewelry
Unknown, Amygdaloid engraved seal, Minoan, about 1700 B.C. - 1450 B.C., Carnelian - See more at: http://search.getty.edu/gateway/search?q=&cat=type&types=%22Jewelry%22&rows=50&srt=&dir=s&dsp=0&img=0&pg=3#sthash.QYjsa0HE.dpuf
Fish Pendant | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Fish, Dynasty 12–13 (ca. 1981–1640 B.C.) Egyptian; Lisht North, Tomb L847 Gold, beryl
A PHOENICIAN CHALCEDONY SCARAB , CIRCA 5TH CENTURY B.C. | Christie's
A PHOENICIAN CHALCEDONY SCARAB CIRCA 5TH CENTURY B.C. The beetle summarily detailed, the underside with a long-haired kilted figure gripping a winged sphinx around the neck and driving a sword down into its open beak, the sphinx with its wings outstretched, a rearing cobra below, a solar disk and crescent above, on a crosshatched exergue, enclosed within a line border; mounted as a ring in a modern gold swivel setting, a large chip restored in gold
A W.A. Bolin platinum, blue sapphire, app. 4.60 cts, and diamond pendant/brooch, tot. 4.69 cts. Stockholm 1930. - Bukowskis
Superb Winged Heart Brooch in the Pre-Raphaelite style. Gold, Silver, Enamel, Opal, Diamond. Marks: 'Child & Child' monogram, British, c.1900 Original Fitted Case Original fitted case, the silk marked: 'Jewellers, 35 Alfred Place West, Child & Child, Queen’s Gate, Gold and Silversmiths' This jewel reflects the influence of Sir Edward Burne-Jones